By Jaroslav Kusnir
Jaroslav Kušnír’s booklet American Fiction: Modernism-Postmodernism, pop culture, and Metafiction is a sequel to his prior examine on American postmodern fiction entitled Poetika americkej postmodernej prózy: Richard Brautigan and Donald Barthelme [Poetics of yank Fiction: Richard Brautigan and Donald Barthelme]. Prešov: Impreso, 2001. It explores quite a few features of yank postmodernist fiction as manifested within the works via Richard Brautigan, Donald Barthelme and different American postmodernist authors akin to Robert Coover, E. L. Doctorow, Kurt Vonnegut and Paul Auster. reading a number of brief tales and novels, the writer indicates ameliorations among modernist and postmodernist literature within the works of Donald Barthelme; the way in which postmodern parodies of well known literary genres provide a critique of a few elements of yank cultural id and adventure (the American Dream, individualism, consumerism); and he additionally exhibits alternative ways postmodern authors corresponding to Robert Coover, Kurt Vonnegut and Paul Auster create metafictional influence as essentially the most major points of postmodern literature.
Read Online or Download American Fiction: Modernism-Postmodernism, Popular Culture, and Metafiction PDF
Best postmodernism books
Postmodernism is key to American tradition this present day. we will be able to see its manifestations on billboards and on tv; we will be able to pay attention its tone at the radio and in daily dialog; and we will even feel its outlook in how we are living our lives. This quantity offers an obtainable and short precis of postmodernism, specially because it relates to American cinema-one of the primary gamers and top lighting within the improvement of this cultural angle. 4 distinctive sections examine postmodernist fragmentation, musical use, and pastiches of earlier tv indicates and cinematic genres in such movies as Quentin Tarantino's Pulp Fiction, David Lynch's Mulholland force, and Sofia Coppola's Marie Antoinette.
Discussions of the phenomenon of postmodernism have confirmed yes features which are normal of postmodernist tradition. those features contain formal fragmentation, a bent towards a specific form of nostalgia, and using fabrics and types borrowed from earlier motion pictures and different cultural items. This quantity provides a quick precis of the features that experience quite often been linked to postmodernism, specifically as they pertain to movie. It illustrates these features with discussions of a large choice of yankee motion pictures of the prior thirty years, noting how these motion pictures perform the phenomenon of postmodernism. Emphasis is on renowned, advertisement motion pictures, instead of the extra esoteric, experimental items that experience occasionally been linked to postmodern film.
Booker's paintings comprises targeted discussions of a wide selection of yankee films—including classics like Sullivan's Travels and The final photo express, and up to date successes akin to Scream, average Born Killers, souvenir, Moulin Rouge, and struggle Club—noting how those motion pictures perform the phenomenon of postmodernism, and the way they've got helped to form its present form.
Filenote: PDF retail from ebsco. PDF is ebsco's reflow pdf, so no longer the great PDF imprint. Paginated.
In this thoroughly revised and significantly accelerated re-creation, Steven Connor considers the new paintings of the main influential postmodern theorists, together with Lyotard and Jameson, and gives debts either one of the paintings of newly rising theorists and new parts of postmodernist tradition that have built during the last decade, particularly in legislation, song, dance, spatial idea, ethnography, ecology, and the hot applied sciences.
Advent: Don DeLillo and the Dream Release-Stacey Olster
PART I: Mao II (1991)
Delphic DeLillo: Mao II and Millennial Dread-David Cowart
Mao II and the recent global Order-Peter Knight
Mao II and combined Media-Laura Barrett
PART II Underworld (1997)
Underworld, reminiscence, and the Recycling of chilly battle Narrative-Thomas Hill Schaub
Underworld and the structure of city Space-David L. Pike
Underworld, Ethnicity, and located item paintings: cause and Revelation-Josephine Gattuso Hendin
PART III Falling guy (2007)
Global Horizons in Falling Man-John Carlos Rowe
Bodies in leisure and movement in Falling Man-Linda S. Kauffman
Witnessing Trauma: Falling guy and function Art-John N. Duvall
Are there things like peripheral modernity and postmodernity? This groundbreaking ebook specializes in the notions of modernity and postmodernity in nations that by no means earlier than were studied relatively: Argentina and Greece. It examines theories of the postmodern and the issues considering employing them to the hybrid and sui generis cultural phenomena of the «periphery».
- Postmodern, Feminist and Postcolonial Currents in Contemporary Japanese Culture : a reading of Murakami Haruki, Yoshimoto Banana, Yoshimoto Takaaki and Karatani Kojin
- Donald Barthelme: The Genesis of a Cool Sound
- The Moon in Its Flight: Stories
Extra info for American Fiction: Modernism-Postmodernism, Popular Culture, and Metafiction
It is affected by nonknowledge as by its future and it ventures out deliberately . . But here the very concept of empiricism destroys itself. To exceed the metaphysical orb is an attempt to get out of the orbit, to think the entirety of the classical conceptual oppositions, particularly the one within which the value of empiricism is held: the opposition of philosophy and nonphilosophy, another name for empiricism, for this incapacity to sustain on one’s own and to the limit the coherence of one’s discourse.
When a concept is to be treated as a concept’, he declares, Deconstruction as Philosophy of Logic 25 one has to accept the logic of all or nothing . . at any rate, in a theoretical or philosophical discussion of concepts or of things conceptualizable. Whenever one feels obliged to stop doing this (as happens to me when I speak of différance, of mark, of supplement, of iterability and of all they entail), it is better to make explicit in the most conceptual, rigorous, formalizing, and pedagogical manner possible the reasons one has for doing so, for thus changing the rules and the context of discourse.
I have taken this rather lengthy detour via Davidson’s ‘A Nice Derangement’ because it has struck some exegetes as adopting an approach to issues of Deconstruction as Philosophy of Logic 37 language, meaning, and interpretation which invites comparison with Derrida’s work, in particular his deconstructive reading of Austin in ‘Signature Event Context’ (see for instance Pradhan 1986; Wheeler 1986). What these thinkers have in common, so the argument goes, is (1) an emphasis on the capacity of speech-acts to function across a vast (unpredictable and unspecifiable) range of communicative contexts, (2) the rejection of any theory that would claim to establish normative criteria for deciding in advance just which kinds of speech-act are meaningful, valid, or appropriate in just which kinds of context, and resulting from this (3) a ‘minimalist-semantic’ conception of meaning which strives so far as possible to avoid all dependence on prior theories of whatever type.